TRAINING AND DRILL = ETUDES ?
In his third (abridged) book, Demidov, in the first two chapters, explains what Stanislavsky was trying to figure out in the “school” he created. Stanislavsky, according to Mr. D, had planned two paths (even though a third is always there “the path of the “naturally gifted” actor is by nature there). The first path is that of […]
