The Blind Spots of Critical Response Process (CRP) in the Field of Acting Read More » Kimon Fioretos 17/02/2025
Charles Erich Conrad: The Evolution of Meisner BY CONRAD and the Almost Arrival at Demidov Read More » Kimon Fioretos 12/02/2025
Stanislavski & Demidov: Training, Drill* and the Quest for the “Fourth FLOOR**” Read More » Kimon Fioretos 28/11/2024
What Does It Mean to Find the Right Form for a Great Play? (Demidov) Read More » Kimon Fioretos 20/11/2024
Different Approaches to Dramatic Works: “Transcendence” and the Murder of the Author (Demidov 4:4:460) Read More » Kimon Fioretos 20/11/2024
[…] Art is always in search of the eternal questions: “why?”, “who?”, and “how?”. Read More » Kimon Fioretos 10/11/2024
“The most important thing in the cinema and the theatre is the actor…” Read More » Kimon Fioretos 04/11/2024
Judy Dench describing perfectly how her work is actually 100% demidovian Read More » Kimon Fioretos 29/10/2024
Beautifully said: “Every actor has a method, uniquely crafted from whatever they’ve studied or experienced.” Read More » Kimon Fioretos 02/09/2024
THINGS I ABSORBED, THOUGHT ABOUT, LEARNED, READ OR HEARD THIS SUMMER. Read More » Kimon Fioretos 23/08/2024
3 TEXTS I USED TO READ IN THE FIRST YEAR ACTING CLASS, FIRST DAY (NOT ANYMORE) Read More » Kimon Fioretos 12/07/2024
You can either BE a character or intellectually KNOW who the character is Read More » Kimon Fioretos 22/06/2024
The illiterate actor of the 21st century and a war against the author and the text. Read More » Kimon Fioretos 03/07/2023
